CA' MON
URIZEN, Teatro RESAD
Madrid, 2021
Blake’s The Ancient of Days captivated me, inspiring a choreography that helped me find direction as a choreographer. He brought motion to a static image, and I sought to do the same through movement—balancing tension, contrast, and spontaneity. That piece wasn’t just a project; it was a step toward understanding my creative path.
BASHDOOR,
La Victoria Absurda
Teatros del Canal
Madrid, 2022
Suicide remains a growing yet often avoided issue in contemporary society. Through movement, we explore its complexity, ambiguity, and social, religious, and political implications.
This piece goes beyond morality, addressing the despair-driven conditions that lead to it. If life lacks meaning, is it worth continuing? As Camus said, "Judging whether or not life is worth living is the fundamental question."
Developed for Teatros del Canal (Madrid) with two dancers, this project was pivotal for me. In a world shaped by social crises, I believe art must confront uncomfortable truths, challenge stigmas, and ignite collective reflection.
NOVAE ECHOES
Time is the new space
Rotterdam, 2024
Novae echoes is a dance performance that explores the connection between cosmic forces and the human body, reflecting on movement as a form of creation and transformation. Inspired by the life cycle of stars, it invites the audience on a journey beyond reality—symbolizing personal growth, transcendence, and the powerful energy released through change and renewal.
SHIT HAPPENS IN EVERY CITY
Madrid, 2023
Shit Happens in Every City is a collaboration with director Imanol Ruiz de Lara and Antiestático, where I direct choreography, text, and movement. This audiovisual project turns the body into a narrative vehicle,
moving through urban chaos, routine,
and untold stories.
My role was to integrate movement with the camera, using physicality to shape narrative and atmosphere. More than dance, it captures states, tensions, and transitions that reveal urban life’s complexity. In this ever-changing cityscape, the body is both witness and protagonist, merging with the camera to create a language beyond words
CHOOSEN DISTORTIONS
Palet Festival Lofi
Amsterdam, 2025
In a world that chases perfection and control, a glitch is often seen as a failure. But what if the glitch is not a malfunction, but a shift—where something unexpected breaks through? Like a prism, the glitch splits the narrative, distorting the smooth surface and revealing colour, depth, and possibility. Not less, but more.
This performance explores the glitch as a metaphor for emotional and psychological rupture—the moments when our inner structures collapse: burnout, heartbreak, grief, confusion, desire.
